Hey guys, Jana here,


Sony Pictures Entertainment gave us a pretty complete look at their projected release dates for films running through 2017. There are a few surprises in here but overall, it’s an exciting look at the next two years, and I’m excited for what’s in store!! Let’s jump right in!

Read the rest of this entry »

Post to Twitter Post to Facebook

Hey guys, Jana here,


After much speculation and a worldwide casting search, Marvel and Sony Pictures can announce they have finally found not only their director, but their Peter Parker/Spider-Man for the upcoming Spider-Man film set to release on July 28, 2017.

Read the rest of this entry »

Post to Twitter Post to Facebook

MGM and Sony Join Forces to Make Bond 23!!!!

by Gumbercules9000 on Apr 17th, 2011

Hi Bryan Here….

So we all know the dilemma and turmoil plaguing James Bond with MGM.  Well “GOOD NEWS EVERYONE” (in my best professor Farnsworth voice)!   MGM and Sony have settled down and we will have a new BOND film.  This could have taken years and years, but luckily they had the right people high up and they wanted to make some good films….or make money.

Read the rest of this entry »

Post to Twitter Post to Facebook

Grab ‘Life’ By The 4K UHD Blu-ray & DVD In June!!!

by Red Zeppelbon on May 15th, 2017

Hey guys, Jana here,

MV5BMzAwMmQxNTctYjVmYi00MDdlLWEzMWUtOTE5NTRiNDhhNjI2L2ltYWdlXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_SY1000_SX675_AL_ (1)

Columbia Pictures, SkyDance Media, and Sony Pictures Entertainment presents ‘Life‘ on Digital June 2, and on 4K Ultra HD, Blu-ray and DVD June 20. The picture stars Jake Gyllenhaal (‘Brokeback Mountain‘), Rebecca Ferguson (‘Mission Impossible – Rogue Nation‘), Ryan Reynolds (‘Deadpool‘), Hiroyuki Sanada (‘The Wolverine‘), and Ariyon Bakare (‘Rogue One‘). The Sci-Fi Thriller was directed by Daniel Espinosa (‘Safe House‘)

Read the rest of this entry »

Post to Twitter Post to Facebook

Hey guys, Jana here,

Nikolaj Arcel

Fans of the brilliant writer Stephen King get excited when we see a new film being made based on one of his brilliant tomes. We got creeped out by our dead pets in ‘Pet Sematary‘, our healthy fear of  clowns graduated into a full on psychosis after seeing Pennywise as ‘It‘, groaned in pain when we saw ‘Misery‘ on the big screen, in short, we laughed, we cried, we cringed and we loved every minute of it. One novel that has had trouble making it’s way to the silver screen is King’s western epic better known as the collective work of ‘The Gunslinger‘.

Read the rest of this entry »

Post to Twitter Post to Facebook

Spider-Man Joins the Marvel Cinematic Universe!!!

by Red Zeppelbon on Feb 11th, 2015

Hey guys, Jana here…


After a lot of speculation, Marvel and Sony have agreed on a situation that allows Spider-Man to live in the much larger world that the Marvel Universe has to offer.

Read the rest of this entry »

Post to Twitter Post to Facebook

Hi, Jana here,



Sony Pictures Entertainment has teamed up with SEGA Sammy Group division Marza Animation Planet to develop a hybrid/live action and CG-animated feature film based on the ‘Sonic The Hedgehog‘ video game series. The film is to be scripted by Evan Susser and Van Robichaux. The pair worked together on ‘What’s Going On? With Mike Mitchell‘. Neal H. Moritz (‘21 Jump Street, ‘S.W.A.T.‘)is going to produce through his Original Film banner that is responsible for some big hits in Hollywood.

Read the rest of this entry »

Post to Twitter Post to Facebook

Hi, Bryan Here….

In celebration of the 50th anniversary of the James Bond film franchise on the anniversary of Dr. No, which enjoyed its world film premiere in London on October 5, 1962, and in anticipation of the worldwide release of the 23rd James Bond adventure SKYFALL™, Albert R. Broccoli’s EON Productions, Metro-Goldwyn-Mayer Studios, Sony Pictures Entertainment and Twentieth Century Fox Home Entertainment announced today that October 5, 2012 will be Global James Bond Day, a day-long series of events for Bond fans around the world.

Read the rest of this entry »

Post to Twitter Post to Facebook

Hi, Bryan Here….

Sony has announced the 50th Anniversary of ‘Lawrence of Arabia’ on Bluray.  And by the looks of it, this bluray is going to be the ULTIMATE edition.  This will release November 13th, 2012. The film was nominated for ten Academy Awards and won seven: Best Original Score (Maurice Jarre), Best Film Editing (Anne V. Coates), Best Sound (John Cox), Best Cinematography (Frederick A. Young), Best Art Direction (John Box, John Stoll, and Dario Simoni), Best Director (David Lean) and Best Picture.

Read the rest of this entry »

Post to Twitter Post to Facebook

Hi Bryan Here….

“X-Men” Series Premiere Comes on the Heels of Hit Marvel Original Anime Series “Iron Man” and “Wolverine” on G4

LOS ANGELES – September 14, 2011 – This summer, G4 and Marvel teamed up to bring legions of fans their favorite Super Heroes with the original Marvel anime series, “Iron Man” and “Wolverine.” Next up, Marvel’s most popular team of mutants will tear up the small screen when G4 premieres 12 half-hour weekly episodes of the new original anime series “X-Men” this fall, bringing even more action, drama, and high energy anime heroics. Featuring the voice of actor Scott Porter (“The Good Wife,” “Friday Night Lights,” “Caprica”) as Cyclops, “X-Men” premieres Friday October 21st at 11pm ET/PT. The fourth anime series as part of G4 and Marvel’s exclusive partnership, “Blade,” will premiere this winter.

Read the rest of this entry »

Post to Twitter Post to Facebook

**UPDATE**Rhys Ifans Cast as “Spider-Man” Villain

by Gumbercules9000 on Oct 11th, 2010

Rhys Ifans (Notting Hill, Formula 51) has been cast as the villain in the next Spider-Man 3-D reboot.  Sam Raimi and Tobey Maguire will not be returning.  No word yet on which villain Rhys will play, but comment with you guesses.

Official Press Release below:


CULVER CITY, Calif., October 11, 2010 – Rhys Ifans will play the villain, opposite Andrew Garfield as Peter Parker and Emma Stone as Gwen Stacy, in the next installment of Spider-Man from Columbia Pictures and Marvel Studios, it was announced today by Amy Pascal, co-chairman of Sony Pictures Entertainment and Matt Tolmach, president of Columbia Pictures. The film, to be directed by Marc Webb from a screenplay by James Vanderbilt and produced by Avi Arad and Laura Ziskin, will begin production in December and will be released in theatres nationwide in 3D on July 3, 2012.

Commenting on the announcement, Tolmach said, “We have been very fortunate to attract some of the best actors working today to play the villains in the Spider-Man movies, and it is exciting to see that trend continue with Rhys Ifans. After seeing his performance in our upcoming film Anonymous, we’re in awe of his talent and think he’s the perfect choice to take on this role.”

The filmmakers prefer to not reveal which character Ifans will be playing in the forthcoming film.

Webb added, “What sets the Spider-Man villains apart is the complexity of their relationships with Peter Parker. Rhys’ incredible ability to embody both warmth and rage makes him the ideal choice for this character.”

Spider-Man is being overseen at the studio by Tolmach and Rachel O’Connor. Ifans is represented by United Talent Agency, Brillstein Entertainment Partners, and Independent Talent Group.


Jeffrey Sneider from The Wrap is reporting that Rhys Ifans is set to play villain Dr. Curt Connors (The Lizard) in the upcoming Spider-Man flick.  I’m curious how this will play out.  Which story line and angle they will go with.  Rhys is a hell of an actor and I’m sure he will be killer in this role.

Post to Twitter Post to Facebook

A War is Brewing in the Film Industry

by Gumbercules9000 on Sep 26th, 2010

We go to the movie theater for the same reason we go to a ball game. It’s not just to see the main event. We do it to smell the smells, devour greasy food, relax with friends and family, escape the everyday, and experience camaraderie with perfect strangers. The laughter, fear, anger, sadness, and joy expressed by the collective magically heighten the experience of the individual.

But something wicked this way comes.

Movie studios want to reduce the time that movies will be shown in

theaters. Instead, they want to be able to provide video-on-demand

service so you can watch new movies from the comfort of your home just

five weeks after theater release. It will only cost you $24.99 per

movie. Also the FCC (which I think should NOT exist) are going to

allow movie studios to activate technology to prevent films sold

through video-on-demand systems from being copied.

This is outrageous. First, if you implement software technology to

prevent movies from being copied, within a couple of weeks, people

will develop ways to get around your technology. You will never be

able to completely prevent pirating. EVER. Don’t fight it, find a way

to work with it. The home video industry still makes tons of money

even while pirated copies are being made.

Movie studios are justifying the quick release of movies on-demand

because the numbers show that 90% of a movie’s gross revenue is made

within the first 30 days of release. These numbers, however, fail to

factor in DVD sales. Last year, home video sales revenue equaled about

10 billion dollars. Early on-demand release will actually reduce DVD

sales. DVD retailers like Best Buy, Target, and Wal-Mart are well

aware of this risk. In an effort to protect their economic interests,

they have threatened litigation against the movie studios.

Since there is a market for physical copies of DVDs and blurays, I

don’t think they should change the model.  A physical copy of anything

is much, much better than a movie streaming online (although

admittedly I am biased since I am a professional collector). But most

importantly, I don’t want to see the death of the movie theater. It is

an important part of our culture – an experience that we should


Brooke Barnes from the New York Times wrote this article about the upcoming movie industry war.

SOMETIME in the next few months, there is likely to be an explosion in the movie business. The question is which studio will detonate the bomb.

Tension between studios and theater owners has been simmeringa long time, but it intensified in May, when the Federal Communications Commission issued what appeared on the surface to be an arcane ruling. After two years of prodding from Hollywood, the F.C.C. agreed to let movie studios activate technology to prevent films sold through video-on-demand systems from being copied.

Ho-hum? Hardly. The ruling gave studios the ability to pursue a new business — so-called premium V.O.D. — that may be the industry’s best hope of restoring itself to health, now that the bottom has fallen out of the DVD market.

Right now, theaters get an exclusive period — 120 days, on average — to serve up new movies. Then the releases appear on television video-on-demand services at a price of about $4.99. Armed with the new copy-blocking technology, studios want to offer new movies on video-on-demand services about 45 days after they arrive in theaters, for a premium price of $24.99.

The business opportunity is multifold. With as much as 80 percent of that early V.O.D. revenue going to the studio, movie executives see a new engine to compensate for the sputtering DVD. And for the studios, the need is urgent: DVD sales for the year are expected to total about $9.9 billion, down 30 percent from their peak in 2004, according to Adams Media Research.

Studios also want to cut marketing costs by interweaving advertising for theatrical, DVD and video-on-demand releases; reducing the exclusive “window” given to theaters would make it easier to combine those campaigns. Premium V.O.D. would also bring greater consumer awareness to regular video on demand, which has not caught on as much as other rental options like Netflix, according to a research report by Anthony DiClemente, an analyst at Barclays Capital.

Last but not least, studios are aware that consumers are growing impatient about being unable to access all movies whenever and wherever they want. Layering in an early video-on-demand option might prevent some of those frustrated customers from turning to pirated copies.

“There are people who we believe would like to see movies sooner than later and would pay a premium price to do that,” Robert A. Iger, the chief executive of the Walt Disney Company, told analysts on a conference call last month. “We are going to become aggressive.”

Cable and satellite television providers like Time Warner Cable (which is no longer connected to Warner Brothers) and DirecTV are ready to push the button on premium V.O.D. as soon as they reach a deal with studios. After all, the service would represent another revenue stream for these providers and another way to differentiate themselves with customers. The promise of the new business is one reason that Comcast is so eager for government regulators to clear its deal to take control of NBC Universal, analysts say.

SO what’s the problem? DVD retailers, for a start. The likes of Best Buy and Wal-Mart“have told studios they will retaliate against anyone who tries early-release V.O.D. because of the threat it poses to DVD sales,” Richard Greenfield, an analyst at the financial services company BTIG, wrote in a research note last Monday.

But the real wrath will come from theater owners, who have made it clear that releasing a movie early on video-on-demand services — thus cutting into their window — would be the equivalent of declaring war. Over the summer, the National Association of Theater Owners took out full-page ads in Variety and The Hollywood Reporter making its opposition clear.

The worry for theaters, of course, is that people will be more reluctant to buy movie tickets, at an average cost of almost $8, if they know they can catch the same film just a few weeks later in their living rooms, and for less money than it costs to haul the whole family to the multiplex. Considering that the average moviegoer spends more than $3 on popcorn and soda and the like, the cost of Friday night at the movies for a family of four can easily reach $45 — or much more in cities like New York — even before premium-priced 3-D screenings or possible parking fees are factored in.

“While exhibitors understand the new pressures that a weakened DVD market creates for their studio partners,” the ads read in part, “four decades of box-office growth and three straight years of record-breaking box office argue for caution in tampering with a business model that clearly works.”

The Big Three theater chains — Regal Entertainment, AMC Entertainment and Cinemark — declined to comment, but smaller theater companies have been more vocal.

“Be careful before you cook us all, yourselves included,” wrote Gregory S. Marcus, the chief executive of the Marcus Corporation — the parent of Marcus Theatres, a Midwest exhibitor — in a July opinion article in The Hollywood Reporter.

Exhibitors are also arguing that the copy-blocking technology approved by the F.C.C. won’t work. “If past is prologue, technological locks will be overcome with technological crowbars,” the ads from the National Association of Theater Owners stated.

Adding to this argument was news last week that hackers were able to crack Intel technology used to securely transmit high-definition content between televisions and set-top boxes. (Intel played down the threat, saying that a special device would need to be built to exploit the information.)

Theater owners mean business. When Sony Pictures Entertainment tried a test with“Cloudy With a Chance of Meatballs” last year — owners of Internet-connected Bravia televisions could rent that movie before it was available on DVD, for $25 for a month — some theaters yanked the film.

In a similar showdown, Disney’s decision last spring to release “Alice in Wonderland” early on DVD was greeted by boycott calls from theater owners, most forcefully in Britain.

Studio executives say they are going to risk premium V.O.D. anyway, contending that they have little choice, given the DVD downturn. Besides, analysts estimate that 90 percent of a film’s admissions revenue is now generated within 30 days of its release.

(The rebuttal from theater owners is that the data doesn’t take into account second-run and discount theaters, and that there are big exceptions: “Inception,” for instance, was still raking in millions in theaters 10 weeks after its release.)

Protecting the box office is crucial for studios, and for reasons beyond the importance of their ticket-revenue share. For a start, under long-term contracts, premium television networks like HBO and Showtime typically pay for movies using formulas based on domestic box-office revenue. So shrinking ticket sales would also mean shrinking television revenue.

Studios also rely on big theatrical runs to catapult titles into the public consciousness. Without all of the hoopla surrounding a hit at the multiplex — the lines, the marquees, the buzz in the corridors afterward — movies start to feel an awful lot like their more commodified cousin, television.

SO which studio is going to go first, and when? All six of the major studios declined to comment for this article. But multiple movie executives with deep knowledge of the landscape say the first quarter of next year is the target, in part because big Christmas releases like “The Chronicles of Narnia: The Voyage of the Dawn Treader” and “Tron: Legacy” give studios extra leverage.

The studios that seem most likely to make a move are Disney, 20th Century Fox and Warner Brothers. In part because its size gives it more muscle than other studios, Warner has historically shown a willingness to rewrite the blueprints for the home entertainment business. It was Warner, for instance, that aggressively pushed to release movies on traditional V.O.D. at the same time the DVDs arrived in stores.

One thing is certain, said a top motion picture agent who requested anonymity so as not to anger his contacts in the industry: “Studios have made it clear they are not interested in testing the waters on premium V.O.D. Once they start, they’re going to do it.”

What do you think?

Post to Twitter Post to Facebook


In time for the holidays, you can get your hands on a Limited Edition Holiday Giftset of ‘Spider-Man: Homecoming‘, which is exclusively available at Wal-Mart. In addition to the Blu-ray/DVD/Digital Copy, you’ll receive two pairs of Spider-Man socks, a Pop! Spider-Man figure, a button, a comic, and collectible packaging. These will make great gifts for the Spider-Man fan in your life, because you get so much. In addition to that, Sony Pictures is putting up an actual Spider-Man suit for auction, which proceeds will go to Toys for Tots. More info below.

Read the rest of this entry »

Post to Twitter Post to Facebook

Baby Driver is Coming to 4K UHD and Blu-ray!

by Gumbercules9000 on Aug 28th, 2017

Hi everyone, Bryan here….

Perhaps the best film of the year BABY DRIVER is coming to 4K UHD, Blu-ray, and Digital HD, which I couldn’t be more excited for. On September 12th, you’ll be able to watch the film on any digital platform. On October 10th, the 4K UHD and Blu-ray will be available with a ton of bonus features. I’m super excited about this release and I hope it wins an OSCAR. Details below.

Read the rest of this entry »

Post to Twitter Post to Facebook

Hey guys, Jana here,


Wanna get your Spider-Man on a week before ‘Spider-Man: Homecoming‘ hits theaters? How about getting a taste of being the web crawler? That’s what Sony Pictures Virtual Reality is offering with a new VR experience for the upcoming Columbia Pictures flick ‘Spider-Man: Homecoming‘.

Read the rest of this entry »

Post to Twitter Post to Facebook

Older Posts »

Sign Up for Newsletter


Movie Quotes

[Captain Typho is trying to talk Padme out of leaving Coruscant without protection]
Captain Typho:
My Lady, let me come with you.
There is no danger. The fighting is over, and... this is personal.
[Typho bows]
Captain Typho:
As you wish, My Lady... but I strongly disagree.
I'll be all right, Captain. This is something I must do myself. Besides, Threepio will look after me.
Oh, dear.
[Typho leaves; Padme and C-3PO board the Naboo skiff; Obi-Wan sneaks on board]
Star Wars: Episode III - Revenge of the Sith (2005) The Movie Quotes