Murder Mystery – Film Review!
“Murder Mystery is a thrilling comedy that stars the Sand-Man and Jennifer Aniston.”
Adam Sandler is taking to Netflix like a fish to water these days. You won’t be seeing his latest comedic films in theaters, but rather straight to Netflix. Coming off the heels of his excellent stand-up special (also exclusively on Netflix), Sandler’s next vehicle is Murder Mystery, a thrilling comedy that stars the Sand-Man and Jennifer Aniston. The two play a married couple who want to spice up their life as they head to Europe for a vacation, where you guessed it, a murder mystery ensues. Think Murder on the Orient Express, but with Sandler in Europe. The film works best when Sandler and Aniston are having those all too-real relationship discussions where you always don’t see eye-to-eye. I was laughing out loud and relating quite a bit. Other than those sequences and dialogue, it’s silly business as usual.
read comments (0)The Last Black Man in San Francisco – Film Review!
Hello Everyone, Janet W. here…
“The Last Black Man in San Francisco is not perfect in its execution, but the story is moving despite its disjointed structure and flow.”
An interesting story comes out the U.S. capitol of “in your face.” In The Last Black Man in San Francisco, Joe Talbot, the director, teams up with Jimmie Fails (Jimmie Fails) for a second time to bring you seemingly Fails’s own story of the journey of living with loss. Orphaned from a drug addict mother and deceased father, Jimmie has lived with a friend, Montgomery Allen (Jonathan Majors) for some unrevealed amount of time. Each day, Jimmie and Mont take the bus to his childhood home. Much to the chagrin of the current owners, Jimmie touches up his ancestral homestead. When ownership of the property suddenly is in flux, Jimmie seizes the moment. What followed enlightened Jimmie’s world and hopefully the viewers in the audience. Read the rest of this entry »
Late Night – Film Review!
“Late Night is a funny film with some great messages and solid performances.”
Late Night, written and co-produced by Mindy Kaling, who also happens to star in the film, hits on a lot of levels and in mostly all the right ways. Kaling plays Molly, a naïve diversity hire on the Katherine Newberry show, the only late night show starring a woman. Newberry, played by Emma Thompson has ruled the late night airwaves for decades but alas, she’s aging, and no one likes an aging woman. In a time when her ratings are dropping and the female head of the network wants to replace her with what feels like a swinging dick, she has her right hand man find literally any woman to add to the writing staff. In walks Molly who isn’t at all what the showrunners want, but she has all the right parts.
Shaft (2019) – Film Review!
“This is Pitch Perfect Shaft!”
We need more heroes like Shaft. Even if he breaks a few of the rules run order to take out the bad guys, he gets the job done and makes the world a better place, all while having a smile on his face and consistently makes us laugh. Thank you Shaft or shall I thank Samuel L. Jackson who looks like he’s having the time of his life in this film. Either way, this sequel to the 2000 film along with the original Shaft movies from the 1970s is Pitch Perfect Shaft, and I couldn’t be happier about it.
The Dead Don’t Die – Film Review!
“The Dead Don’t Die is my favorite zombie film of the year.”
Just when you thought the zombie genre was indeed dead, Jim Jarmusch (Dead Man, Only Lovers Left Alive, Coffee and Cigarettes), re-ignites the stale genre with The Dead Don’t Die, including an A-list cast, extreme dry wit, and a ton of fun. This short, but sweet movie feels familiar with its usual genre tropes, but at the same time, its wholly original and burns down the fourth wall so much that it would have Deadpool himself blush. Jarmusch basically got most of his favorite actor friends from his previous films and said, “Hey, let’s make a zombie movie where anything goes.” The result with this cast of deadpanned characters are flawless as they weave through a zombie outbreak in their small, podunk town to the tune of Sturgill Simpson’s song The Dead Don’t Die.
Batman 30th Anniversary – 4K UHD Review!
In 1989, the birth of summer blockbusters became real with Tim Burton’s Batman. Before that, the superhero genre was not the behemoth it was today with A-list actors, 9-figure budgets, and compelling dramatic tones. In fact, it was quite the opposite. Us comic books fans had to settle for slapstick one-liners in low budget sets and costumes to get our favorite heroes on screen. It wasn’t until that summer where everything changed and paved the way for films like X-Men, the MCU, and Christopher Nolan’s Dark Knight franchise. It was a strange decision too, but Warner Bros. and DC Comics decided on the young filmmaker Tim Burton to take on the large budget and big named comic book adaptation of Batman. Until then, Burton had only done Pee-Wee’s Big Adventure and Beetlejuice.
Pink Floyd – The Unbalanced Note #23!
Here is the infamous Music podcast under the MULTI-MEDIA MEN banner called ‘The Unbalanced Note‘, where the show is related to all things MUSIC! Here on this new show, musician Jacob Douglas and I talk about everything we love or dislike about music, musicians, and the music industry. This week our main event is ‘Pink Floyd‘.
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I Am Mother – Film Review!
“I Am Mother is one sci-fi film that gets it right.”
As we’ve seen before, robots with artificial intelligence will either help us succeed into the future with a peaceful existence or completely obliterate the world population for their global takeover. With the new Netflix original movie I Am Mother, it’s not so black and white as that. There is a big gray area as newcomer directory Grant Sputore graciously tells the story about a human/robot relationship. This aptly paced thriller has some wonderful original ideas that are implemented with twist and turns throughout that never sells itself short on passionate participation. This is one sci-fi film that gets it right.
Echo in the Canyon – Film Review!
“Echo in the Canyon is a true music buff’s utopia.”
If you’re a music buff, this new documentary called Echo in the Canyon is a must-see. Music industry maestro Andrew Slater and musician Jakob Dylan (Bob’s son and member of the Wallflowers) have given us the gift of rock n’ roll on film that focuses specifically on the mid-1960’s music revolution that catapulted acts life The Byrds, The Mamas & the Papas, Buffalo Springfield, and later years of The Beatles and The Beach Boys to success and fame.
The Child Remains – Film Review!
“The Child Remains was not a great adaptation of an otherwise spine-chilling true story.”
As we move into the summer of big blockbuster films full of Disney characters, aliens, and action packed explosions, there is another genre that will be making its way in the heat of year. That’s the indie horror movie scene, where it looks to have a much needed influx of new and original scary flicks. One of them is titled The Child Remains, which is a slow burn horror movie directed by Michael Melski, and based on the horrific true-life story about the Ideal Maternity Home in East Chester, Nova Scotia. Unfortunately, this is a case where the actual real-life events are much more sadistic and terrifying than this modern adaptation that tends to overstay its welcome.
Night of the Comet – My Bloody Podcast #54!
Here is the super spectacular 54th episode of the most fun horror podcast under the MULTI-MEDIA MEN banner called ‘My Bloody Podcast‘, where the show is related to all things HORROR! Here on this new show, Preston Barta from Fresh Fiction and the Denton Record-Chronicle and I talk about everything we love about horror movies, tv shows, and horror themed music. Our Feature Presentation this week is the 1984 cult hit film ‘NIGHT OFT HE COMET‘.
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Elton John – The Unbalanced Note Podcast #22!
Here is the infamous Music podcast under the MULTI-MEDIA MEN banner called ‘The Unbalanced Note‘, where the show is related to all things MUSIC! Here on this new show, musician Jacob Douglas and I talk about everything we love or dislike about music, musicians, and the music industry. This week our main event is ‘Elton John‘.
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | RSS
Prom Night (1980) and Soundtrack – My Bloody Podcast #53!
Here is the super spectacular 53rd episode of the most fun horror podcast under the MULTI-MEDIA MEN banner called ‘My Bloody Podcast‘, where the show is related to all things HORROR! Here on this new show, Preston Barta from Fresh Fiction and the Denton Record-Chronicle and I talk about everything we love about horror movies, tv shows, and horror themed music. Our Feature Presentation this week is the 1980 cult hit film ‘PROM NIGHT‘, starring Jamie Lee Curtis.
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | RSS
Always Be My Maybe – Film Review
“Always Be My Maybe is simply enjoyable and engaging throughout.”
Next on the romantic-comedy chopping block comes Always Be My Maybe, which is exclusively on Netflix and has all of the desired genre tropes added in to give you laughs and heartwarming feelings. That being said, you’ve seen this story literally 500 billion times before. There is nothing new or original here in these characters or plot points. It’s romantic-comedy business as usual with Always Be My Maybe, but that’s not necessarily a bad thing. While it doesn’t do anything to change the game or provoke thought, it’s simply enjoyable and engaging throughout, and that should be enough for a couple of hours.
Godzilla: King of the Monsters – Film Review!
“Godzilla: King of the Monsters receives a passing grade, because the monster fights really are that great!”
Godzilla: King of the Monsters is a frustrating mix of incredible special effects and monster fights with far too much Lifetime Network style human drama. As a fan of the first (new) Godzilla (2014) I was extremely excited for this one. I understood that in the first one the reason for limited Godzilla scenes was to create suspense and save money and I assumed that after the reveal of the first one this one would stray away from the issues of the first. Instead it doubles down on them by adding more useless human subplots, far too many human characters, and a story that (even for a giant monster movie) is just going through the motions.
