Hi, Bryan Here….
“We were up at “the top of the world” and we saw this shooting star and we decided to go look for it. But instead of finding the shooting star we saw this… this circus tent.”
EXCLUSIVE: The first time I watched ‘Killer Klowns From Outer Space’, I was about nine years old and it was on HBO. I watched it with my dad, and I remember how much we laughed and how frightened we were at certain moments. Especially me. I remember thinking how cool and scary those killer klowns were, and how much I wanted to go into that circus tent and shoot the popcorn guns. It was one of the defining moments in my life where I know I wanted to be involved with film, especially horror. I loved how there was very little CG, rather it was all real FX, costumes, and makeup. After my first viewing, I looked in the paper to see if it was running anytime again during the week (back then, we had to read the paper to see what was airing on the one channel of HBO).
Luckily it was, so I gathered my friends over for a sleepover with junk food and we all watched ‘Killer Klowns From Outer Space’. All of us were
“It was a space ship. And there was these things, these killer clowns, and they shot popcorn at us! We barely got away! “
I had the pleasure to talk with Stephen Chiodo the other day about the upcoming blu-ray release of ‘Killer Klowns From Outer Space’, new projects, their unique FX techniques, and the sequel to ‘Killer Klowns From Outer Space’. Or shall I say sequels.
I asked Stephen how he felt about ‘Killer Klowns From Outer Space’ becoming a cult hit over the years and how he and his brothers came up with the idea for the film. Stephen said he was surprised, real surprised on how well ‘Killer Klowns From Outer Space’ was received, and that it stills
” Isn’t this place great or what? It looks like it was decorated by Klowns R Us. “
And yes, I asked about the props from the film. At their studio, they house six of the original klown heads, the popcorn gun, and the cotton candy cocoon gun. I was told that the popcorn gun actually can shoot popcorn by way of an air compressor. What I would give to try that out. Or even to put on one of those foam klown heads and walk around town.
Next year, ‘Killer Klowns From Outer Space’ will have its 25th anniversary. I can’t believe it has been 25 years. WOW. Where does time go?
“Whatta ya gonna do? Knock my block off? “
We then discussed the highly anticipated sequel to ‘Killer Klowns From Outer Space’, which is currently titled according to imdb, ‘Return of the Killer Klowns From Outer Space in 3D’. The brothers and original actor Grant Cramer have all been collaborating on the sequel. There is a very creative script, the design work is in place, and the cast and crew are a go. It was actually supposed to start shooting this year, however, things
Stephen said he just shot a pilot called ‘Earth vs. Everything, which is a 50’s style sci-fi/horror series that will feature fun and bizarre creatures and monsters. Much like we have seen in those vintage 50’s films. It’s not a parody, but just done in that retro style with puppets and stop motion FX. Bill Kopp, known for his work on ‘Eek! the Cat’, ‘Tom and Jerry’ , and ‘Dan Vs.’ teamed up with the Chiodo Bros to develop the project. I’m very much looking forward to ‘Earth vs. Everything’ seeing the light of day.
We also talked about how Stephen thinks that the next big phase will be a retro sci-fi phase. Instead of vampires and zombies everywhere, we will be seeing more vintage 50’s sci-fi monsters. And I for one am all for that. Secretly, I hope it will be killer klowns, but the vintage 50’s monsters and creatures will be better.
“Paul, there’s more important stuff to do than sell ice cream! “
I asked Stephen which artists shaped his creative life and made him want to get into film. He specifically mentioned Willis H. O’Brien and Ray Harryhausen. He also went on to say that one of the films that made him get into the film business was the 1933 version of ‘King Kong’. When he said that, I knew we had an instant connection. My favorite film besides ‘Army of Darkness’ is the 1933 version of ‘King Kong’. I even told him of my poster of the film sitting on my mantle above the fireplace. Stephen lived in the Bronx growing up, and when he saw Kong rampaging through New York, it left an everlasting impression on him. That might have been the seed that started Stephen on his career path into making fun and amazing film that has left an iconic and incredible mark on our culture and film.
Than you, Stephen for a great talk.
-Bryan Kluger