Hi, Bryan Here….
The good folks over at Criterion have just announced their titles for December, 2012. There are some really cool titles for December. One title I have waited for years to own on criterion. Another title is actually Christopher Nolan’s first film, ‘Following’, which is very exciting. If this is any indication, we might get future Nolan films on Criterion sooner than later, which means a possible Dark Knight Criterion. After all, with Criterion, most director’s who get a film in at Criterion, tend to get more of their films in that pot. So here’s hoping. Sadly, no announcement of ‘Good Burger’ or any of the Ernest movies yet, but hopefully in the year 2013, we will get at least one of those. I can’t wait until December now. Thanks, Criterion. Thanks.
PURPLE NOON (1960) DECEMBER 4, 2012
Alain Delon was at his most impossibly beautiful when Purple Noon (Plein soleil) was released and made him an instant star. This ripe, colorful adaptation of Patricia Highsmith’s vicious novel The Talented Mr. Ripley,directed by the versatile René Clément, stars Delon as Tom Ripley, a duplicitous American charmer in Rome on a mission to bring his privileged, devil-may-care acquaintance Philippe Greenleaf (Maurice Ronet) back to the United States; what initially seems to be a carefree tale of friendship soon morphs into a thrilling saga of seduction, identity theft, and murder. Featuring gorgeous on-location photography in coastal Italy, Purple Noon is crafted with a light touch that allows it to be suspenseful and erotic at once, while giving Delon the role of a lifetime.
EXTRAS
- New digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition
- New video interview with René Clément scholar Denitza Bantcheva
- Archival interviews with actor Alain Delon and novelist Patricia Highsmith, on whose book The Talented Mr. Ripley the film was based
- Original English-language trailer
- PLUS: A booklet featuring an essay by film critic Geoffrey O’Brien and a reprinted interview with Clément
- Restored high-definition digital transfer of Terry Gilliam’s 142-minute director’s cut, supervised by Gilliam, with DTS-HD Master Audio 2.0 surround soundtrack on the Blu-ray edition
- Audio commentary by Terry Gilliam
- What Is “Brazil”?, a thirty-minute on-set documentary by Rob Hedden
- The Battle of “Brazil”: A Video History, a sixty-minute documentary by author and film writer Jack Mathews about the controversy surrounding the film’s release
- The “Love Conquers All” version of Brazil, a ninety-four-minute cut of the film produced by the studio in an attempt to make it more commercial, with commentary by Brazil expert David Morgan
- The Production Notebook, a collection of supplements featuring a trove of Brazil-iana from Gilliam’s personal collection: a short documentary on the screenplay, featuring interviews with screenwriters Gilliam, Charles McKeown, and Tom Stoppard; Gilliam’s storyboards for unfilmed dream sequences, animated and narrated by Morgan; visual essays on the film’s production design and special effects; a visual essay on Brazil’s costumes, narrated by costume designer James Acheson; and interviews with Gilliam and composer Michael Kamen on the score
- Trailer
- PLUS: An essay by Jack Matthews on the DVD edition and a booklet featuring an essay by film critic David Sterritt on the Blu-ray edition
- New, restored high-definition digital transfers of all three films, approved by director Godfrey Reggio, with 5.1 surround DTS-HD Master Audio soundtracks on the Blu-ray editions
- Essence of Life, an interview program with Reggio and composer Philip Glass on Koyaanisqatsi
- New interview with cinematographer Ron Fricke about Koyaanisqatsi
- Early forty-minute demo version of Koyaanisqatsi with a scratch soundtrack by Allen Ginsberg, along with a new introduction by Reggio
- New interview with Reggio about Koyaanisqatsi’s original visual concept, with behind-the-scenes footage
- Impact of Progress, an interview program with Reggio and Glass on their collaboration
- Inspiration and Ideas, an interview with Reggio about his greatest influences and teachers
- Anima Mundi (1992), Reggio’s twenty-eight-minute montage of images of over seventy animal species, scored by Glass
- Video afterword by Reggio on the trilogy
- The Making of “Naqoyqatsi,” a brief documentary featuring interviews with the production crew
- Panel discussion on Naqoyqatsi from 2003, with Reggio, Glass, editor Jon Kane, and music critic John Rockwell
- Music of “Naqoyqatsi,” an interview with Glass and cellist Yo-Yo Ma
- Television spots and an interview with Reggio relating to his 1970s multimedia privacy campaign in New Mexico
- Trailers
- PLUS: A booklet featuring essays on the trilogy by film scholar Scott MacDonald, Rockwell, and author and environmentalist Bill McKibben
- New, restored high-definition digital transfer, supervised by director Christopher Nolan, with uncompressed monaural soundtrack on the
Blu-ray edition - New 5.1 surround sound mix by sound editor Gary Rizzo, presented in DTS-HD Master Audio on the Blu-ray edition
- Audio commentary by Nolan
- New interview with Nolan
- Chronological rendering of the story
- Side-by-side comparison of three scenes in the film with the shooting script
- Doodlebug (1997), a three-minute film by Nolan, starring Jeremy Theobald
- Trailers
- PLUS: A booklet featuring an essay by film critic and programmer Scott Foundas