In the annals of American independent cinema, few films have the improbable origin story, and the quiet gravitational pull of Charles Burnett’s Killer of Sheep.
Few films in recent memory capture the volatility of love, money, and identity with the unflinching tenderness of Anora, Sean Baker’s incandescent latest. Already hailed
By the time Saint Omer reaches its haunting final moments, Alice Diop’s debut narrative feature has already plunged us into the deepest, most uncomfortable corners
Scarface (1932) has long been a touchstone of the gangster genre, and watching it today, its influence on later works is undeniable. Most notably, Brian