There are filmmakers you respect, and then there’s Mike Judge; our unassuming, soft-spoken Nostradamus of middlebrow America. If Kubrick dissected humanity’s cosmic anxieties, Spielberg gave
If Night of the Living Dead was Romero’s Beatles-on-Ed-Sullivan moment, The Crazies was his concept album no one understood until three decades later, probably while
Which brings us to Jurassic World Rebirth, the seventh installment in a franchise that should have been gracefully fossilized long ago. But Hollywood, like the
So of course, Hollywood did what Hollywood does best: upgraded the software, doubled the runtime, and deleted the subtlety. Enter M3GAN 2.0, the cinematic equivalent
Bresson was a man allergic to frills, whether it be cinematic, emotional, decorative, or otherwise. So when, in 1959, he wrote his first original screenplay
Almodóvar, of course, has never been in the business of quaint. His films arrive lacquered in bright colors and moral ambiguity, populated by characters who
In the end, Sundays and Cybele remains a masterwork of emotional subtlety. It’s a tragic, beautiful tale of innocence, loneliness, and the ways broken people
X-Men: Apocalypse, directed with bombastic sincerity by Bryan Singer (back for his fourth round of mutant musical chairs), attempts to answer this question with explosions,
Ultimately, Sneaky Links isn’t offensive, or even shocking. It’s just… empty. The sort of show that reminds us how profoundly uninterested we’ve become in connection,
Will there be more Mission: Impossible movies? Of course. No self-destructing tape has ever actually self-destructed in Hollywood. But whether Cruise will remain its beating