Celebrity Hour
On this episode, we welcome a guest whose IMDb page is so long it feels less like a résumé and more like a gentle taunt.
November 14, 2025
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On this episode, we welcome a guest whose IMDb page is so long it feels less like a résumé and more like a gentle taunt.
In this week’s episode, we welcome the incomparable Siobhan Fallon Hogan. Yes, that Siobhan Fallon Hogan, the secret comedic accelerant of ’90s pop culture. She’s
In Episode #184 of My Bloody Podcast, we plunge scalpels-first into John Carpenter’s The Thing (1982), a film that has aged better than most of
On Episode #142 of Fear and Loathing in Cinema, we pack our khakis and emotional baggage for a journey deep into the heart of Africa,
So stay golden, Dallas. Step out into the night, buy a ticket, and lose yourself in the rain-soaked poetry of The Outsiders: The Musical. You’ll
On Episode #141 of Fear and Loathing in Cinema, there are, depending on how many voices you hear in your head, two, possibly three people
There are few things more sacred in the horror podcasting world than two friends on a long phone call dissecting a film where a creepy
So, if your spooky season décor needs a little vinyl resurrection, shuffle (don’t run) to your nearest retailer or visit Funko’s crypt, er, website, and
Eddington in 4K is, in a word, essential. The video and audio are stellar, the bonus feature is pure gold, and the physical release even
On Episode #140 of Fear and Loathing in Cinema, three brave souls click their ruby slippers and tumble, not into the glossy green hell of
On Episode #182 of My Bloody Podcast, two death-defying dolls, Bryan Kluger and Chelsea, pick up their metaphorical scalpels to stitch together their thoughts on
The debut episode kicks off with none other than Rudy Ramos, a true Hollywood journeyman whose résumé reads like a time capsule of television history.
Take, for example, A Nightmare on Elm Street 3: Dream Warriors (1987), a sequel directed, improbably, by the same man who gave us The Blob
On Episode #139 of Fear and Loathing in Cinema, four brave digital explorers, Bryan, Dan, Preston, and Chelsea, once again jack into the pixelated abyss
On Episode #181 of My Bloody Podcast, the trio of cinematic slashers, Bryan, Preston, and Chelsea, sneak up on 2016’s Hush, Mike Flanagan’s lean, mean,
On Episode #138 of Fear and Loathing in Cinema, five people who still refuse to let their phones listen to them take a deep dive
On Episode #137 of Fear and Loathing in Cinema, the four cinematic sperms finally find their egg, and what an egg it is. The year
Episode #180 of My Bloody Podcast is, to put it lightly, a pumpkin-spiced fever dream. It’s that time of year again, spooky season, when the
This scene cracks me up every single time I watch it, and I’ve watched it at least two hundred and fifty times. I don’t mean
Let’s be clear from the start. This is not Wayward Pines. No Shyamalan twists. No forest conspiracy cults. Instead, Wayward feels like what would happen
On Episode #136 of Fear and Loathing in Cinema, the four of us Green boys decided to lace up our metaphorical combat boots and enlist,
Episode #179 of My Bloody Podcast doesn’t so much begin as it laces up its sneakers. Bryan, Preston, and Chelsea, our well-worn trio of cinematic
So yes, Cannes has yachts. Sundance has snow. Venice has gondolas. But only Fantastic Fest has a boxing match between a critic and a director,
And I wish I could say I was surprised. But history is nothing if not repetitive, and antisemitism has always had the tenacity of a
Oddly, the cinematic scene that best captures this ritual isn’t some sepia-toned family drama or even Norman Rockwell’s overly earnest Freedom from Want. No, the
To toast the milestone, Angela Cartwright (Brigitta von Trapp) and Debbie Turner (Marta von Trapp) returned to share stories from the set. It’s those whispered,
Watching Sirāt feels like being pulled into two films at once. On one level, it’s a merciless survival thriller, echoing the kinetic intensity of Mad
They don’t make films like Dolly anymore, or rather, they don’t usually let them out of the editing bay, fearing no one will sit through
In the end, Coyotes is a silly, shapeless howl of a movie that needed either Liam Neeson with a hunting knife or a wisecracking Road
Every so often, a documentary arrives that is less a film than a warm hug from an unexpected direction. A hug that smells faintly of
