April 14, 2026
By the end, Lee Cronin’s The Mummy doesn’t just revive an old monster, it drags the entire Universal Monsters catalogue into a dark alley, kicks
By the end, you may not have answers. You will, however, have a lingering sense that art, like friendship and like love, is a living
The Drama is, in the end, a kind of Trojan horse. It’s a love story that smuggles in a far more disquieting question about who
In the end, Project Hail Mary doesn’t quite stick the landing, though it tries valiantly. Several times. What it delivers instead is something gentler. It’s
28 Years Later: Bone Temple is a rare thing. It’s a horror sequel that expands its universe, deepens its ideas, and still finds time to
Mike P. Nelson has done the seemingly impossible. He’s turned Silent Night, Deadly Night into a holiday movie you might actually look forward to watching.
Another astonishing element is what makes Marty Supreme not just a Safdie panic-odyssey but an emotionally resonant one. It’s how earnestly it adopts the bones
Which brings us to No Other Choice, Park Chan-wook’s newest, slyest, and perhaps most strangely tender film. It’s an adaptation of Donald Westlake’s The Ax
