Mike P. Nelson has done the seemingly impossible. He’s turned Silent Night, Deadly Night into a holiday movie you might actually look forward to watching.
Another astonishing element is what makes Marty Supreme not just a Safdie panic-odyssey but an emotionally resonant one. It’s how earnestly it adopts the bones
Which brings us to No Other Choice, Park Chan-wook’s newest, slyest, and perhaps most strangely tender film. It’s an adaptation of Donald Westlake’s The Ax
Let’s be clear from the start. This is not Wayward Pines. No Shyamalan twists. No forest conspiracy cults. Instead, Wayward feels like what would happen
Enter Black Rabbit, an eight-episode limited series created by Zach Baylin, who previously wrote King Richard, Creed III, and The Order. This time, Bateman teams
In the annals of American independent cinema, few films have the improbable origin story, and the quiet gravitational pull of Charles Burnett’s Killer of Sheep.
There are filmmakers you respect, and then there’s Mike Judge; our unassuming, soft-spoken Nostradamus of middlebrow America. If Kubrick dissected humanity’s cosmic anxieties, Spielberg gave
If Night of the Living Dead was Romero’s Beatles-on-Ed-Sullivan moment, The Crazies was his concept album no one understood until three decades later, probably while
Which brings us to Jurassic World Rebirth, the seventh installment in a franchise that should have been gracefully fossilized long ago. But Hollywood, like the