Mike P. Nelson has done the seemingly impossible. He’s turned Silent Night, Deadly Night into a holiday movie you might actually look forward to watching.
Another astonishing element is what makes Marty Supreme not just a Safdie panic-odyssey but an emotionally resonant one. It’s how earnestly it adopts the bones
Which brings us to No Other Choice, Park Chan-wook’s newest, slyest, and perhaps most strangely tender film. It’s an adaptation of Donald Westlake’s The Ax
Which brings us to Jurassic World Rebirth, the seventh installment in a franchise that should have been gracefully fossilized long ago. But Hollywood, like the
So of course, Hollywood did what Hollywood does best: upgraded the software, doubled the runtime, and deleted the subtlety. Enter M3GAN 2.0, the cinematic equivalent
X-Men: Apocalypse, directed with bombastic sincerity by Bryan Singer (back for his fourth round of mutant musical chairs), attempts to answer this question with explosions,
Will there be more Mission: Impossible movies? Of course. No self-destructing tape has ever actually self-destructed in Hollywood. But whether Cruise will remain its beating