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THE FILM Is We Live in Time the romance for the ages, or a more intricate emotional puzzle from A24? Directed by John Crowley (The
February 11, 2025
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THE FILM Is We Live in Time the romance for the ages, or a more intricate emotional puzzle from A24? Directed by John Crowley (The
The Monkey, Osgood Perkins’s latest foray into the realm of horror, emerges as a curious amalgam of the director’s signature familial dysfunction and Stephen King’s
THE FILM There are few things more reliably entertaining than an outlandish ’90s horror film that knows exactly what it is, and wears that knowledge
Not only has Netflix become synonymous with an ever-expanding archive of original series and films, but it has also solidified its place as the undisputed
THE FILM Jon M. Chu’s Wicked, the long-awaited cinematic adaptation of the smash Broadway hit, arrives as a spectacle so bloated, so mired in
THE FILM When Quentin Tarantino’s Jackie Brown was released in 1997, following the seismic success of Pulp Fiction, it didn’t immediately become the pop-culture
THE FILM In Heretic, Hugh Grant delivers a masterclass in subtle menace. It’s a film that finds dark humor in the tension between civility
In 2025, horror is a genre that’s not only surviving; it’s thriving. With films like Wolf Man, Presence, Heart Eyes, and The Monkey staking their
THE FILM In the grand tradition of Tarantino’s cinema, Kill Bill: Volume 2 is a film of contradictions. Though it picks up directly where
THE FILM With Kill Bill: Volume 1, Quentin Tarantino reintroduces the gloriously brutal world of Kung-Fu cinema, channeling the spirit of Bruce Lee, Jackie Chan,
In the world of Steven Soderbergh, even the most familiar genres feel like unexplored territory. Known for his slick, cool approach to everything from heist
Directed by Seth Gordon, Back in Action is a 2025 action-comedy caper that feels as if it were assembled from a half-dozen familiar spy movies,
In 2022, Severance stunned television audiences with its dark, surreal vision of a corporate dystopia. Beneath its gleaming office walls and pastel color schemes, the
Universal Monsters, once a pantheon of hauntingly human fears and grotesque grandeur, have suffered a strange fate in the hands of contemporary filmmakers. From the
Scarface (1932) has long been a touchstone of the gangster genre, and watching it today, its influence on later works is undeniable. Most notably, Brian
What’s remarkable about Hush is how confidently it resists the usual genre crutches. No jump scares every five minutes, no implausible rescues, no final act
Jon M. Chu’s Wicked, the long-awaited cinematic adaptation of the smash Broadway hit, arrives as a spectacle so bloated, so mired in indulgence, it often
Halina Reijn’s Babygirl, a slick and sumptuous new erotic drama, dives headfirst into this fertile ambiguity. At its center is Romy Mathis, a tech CEO
The Brutalist is not a film that invites comfort. It builds, layer by careful layer, into a silent thunder. Its power is cumulative, like grief.
In the unsettling twilight between romance and dread, Nosferatu, Robert Eggers’ 2024 reimagining of F.W. Murnau’s 1922 silent masterpiece, transforms the iconic vampire mythos into
It’s been a full sixteen years since Ridley Scott last summoned the blood-soaked sands of ancient Rome for Gladiator, a film whose shadows loomed large
If there’s one thing Sony’s Venom franchise has never lacked, it’s audacity. From the moment Tom Hardy first donned the black symbiote, the series has
Anora is not just a film. It is a dare, a hallucination, a scream in three parts. It may very well be the first great
Speak No Evil is a shameful exercise in creative cowardice. It’s a film that has been stripped of the edge and substance that made its
“Say his name three times,” we were told all those years ago, and now, thirty-six years later, the ghost with the most is back. Whether
Alien: Romulus proves that, even after decades of evolution, the franchise still has the teeth to deliver pure, unadulterated fear. Highly recommended for any fan
Twisters is a rip-roaring theme park ride of a movie that reminds us of the incredible 90s summer blockbusters that we used to have. Full
In a time when horror is experiencing a well-deserved renaissance, Longlegs stands as a reminder that not all films with dark ambitions deserve to be
A few years ago, George Miller brought summer blockbusters and fun back to the big screen with his sequel Mad Max: Fury Road. That action
Is there a group of creative filmmakers in Hollywood that barely get recognized for making some of the most memorable and coolest sequences in movies
