Mar/2019

Blu-ray Review: ‘Pinocchio’ Signature Series!

by Gumbercules9000 on Feb 13th, 2017

Hi everyone, Bryan here….

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THE FILM

Pinocchio‘ is hands down one of the best films ever made. And it was made by Walt Disney more than 70 years ago in animated form. That’s no joke. On the surface, ‘Pinocchio‘ seems to be about a wooden toy who wants to be a real boy, but right below the surface, there is so much going on, that I cant help but think that Walt himself and his collaborators had many more things to say with this film, which is to say the least, very different than most Disney movies out there – even today.

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Hi, Bryan Here…

“As you wish.”  Looks like we will all have to be shelling out money again for the 25th anniversary edition of ‘The Princess Bride’.  From celebrated director Rob Reiner (‘The Bucket List’) and Oscar®-winning screenwriter William Goldman (‘Butch Cassidy and the Sundance Kid’) comes “an enchanting fantasy” (Time) filled with adventure, romance and plenty of “good-hearted fun” (Roger Ebert). Featuring a spectacular cast that includes Robin Wright (‘Forrest Gump’), Cary Elwes (‘No Strings Attached’), Mandy Patinkin (‘Homeland’) and Billy Crystal (‘Tooth Fairy’), this wonderful fairy tale about a Princess named Buttercup and her beloved is “a real dream of a movie” (People).

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Hey guys, Jana here,

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The #1 action film in the world, ‘The Fate of the Furious‘, goes full-throttle on Digital HD on June 27, 2017, and on 4K Ultra HD, Blu-ray™, DVD and On Demand on July 11, 2017, from Universal Pictures Home Entertainment. The latest exhilarating installment of the nitro-fueled blockbuster action franchise features a gripping new storyline, the most outrageous collection of vehicles yet, and an all-star cast of fan favorites and series newcomers. From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, the close-knit crew criss-crosses the globe to stop an anarchist from unleashing world chaos — and to bring home the man who made them a family. With more than an hour of never-before-seen bonus features and an Extended Director’s Cut, ‘The Fate of the Furious‘ will be the crowning glory of every fan’s collection.

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Hi Bryan Here….

I remember watching Degrassi growing up way back when it first started.  It has changed quite a bit in its 10th season but the core of the stories are still there.  I remember when Kevin Smith and Jason Mewes (Jay and Silent Bob) got involved with the Degrassi franchise.  This 10th season had 44 episodes and was previously known as Degrassi: The Next Generation but dropped ‘The Next Generation’ part for this 10th season.  This was quite fun to watch, but I’d imagine teens and pre teens would enjoy it more than I did.

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Hey guys, Jana here,

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When Roland Emmerich’s name is mentioned, it’s usually attached to a feature film that is underway, has wrapped or being promoted. This isn’t the case. Emmerich is directing and exec producing ‘New Angeles‘, by comic book writer Gregg Hurwitz, for the small screen. This is a new project combining Slingshot Global Media, Emmerich’s Centropolis banner and Keanu Reeves and Stephen Hamel of Company Films. The best-selling novelist and comic book writer, Hurwitz will write the script but also have an exec producer position. “Gregg is an incredibly imaginative writer, and I’m looking forward to bringing his ideas for the show to life,” Emmerich said. “It’s exciting to get the opportunity (to) bring a massive project like this to the small screen with a rapidly changing television space.”

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‘Treme’ Returns for 3rd Season Sept. 23!!!

by Gumbercules9000 on Aug 22nd, 2012

Hi, Bryan Here….

 

First, the people came back. Then, the crime. Now, more than two years after the near death of a great city, the money is starting to arrive, which would sound like a solution if this were some place other than New Orleans, and this was some other era but America at the millennium. For the people of New Orleans, even the promises of redevelopment come with strings attached, and every dollar that shows up – whether from government disaster relief, or from venture capital, or even from those seeking to remake New Orleans in the wake of Katrina – carries with it new dynamics and new risks. National interest has waned, moving on to the next headline, but those who know and love the Crescent City have no choice. They must find their way back to what matters in the life of their city. However, little of what they can bring to bear yields a quick result, and nothing about New Orleans – its government, its police department and courtrooms, its school system – works as it should. Nothing is easy.  In the end, their only weapons are community. And culture.

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