FedMex Here….

OK, so this is a film that people will either love or hate.  I loved it, and probably for the same reason that people will hate it.  To begin, I saw this at an arthouse theater, and this is completely an arthouse film.  It is far from a literal adaptation of Tolstoy’s work, and the creative liberties are huge.

The film begins with our introduction to a stage, which ultimately becomes the backdrop for the remaining two hours.  Director Joe Wright does an amazing thing with this, and I’m afraid it won’t translate well into words.  The stage is not a separate entity from the world.  The characters move across it as they would a room in the house, using it to enter and exit scenes, all in a seamless transition that obscures reality with the abstract.  As soon as we realize the intriguing presentation we are experiencing, we come to understand that this is not necessarily the Anna Karenina many have read, but is actually a new work of art which incorporates Tolstoy’s work as a central piece of its performance.

I will reluctantly admit that I’ve never read the novel.  I was more of a Dostoyevsky fan.  But if I know anything about classic Russian literature (and I know very little), it is bleak, very very bleak.  That’s the initial surprise of Anna Karenina.  The characters are introduced lightheartedly and will cause the audience to erupt in laughter, but their transformation throughout needs to be seen to be understood.  The entire film falls somewhere between comedy, tragedy, stage production, ballet, period piece, painting, music video, and drama.  And this is what I found to be so captivating.  Amazingly, we accept the presentation and are immersed in it immediately.  The entire thing is beautifully choreographed, beautifully acted, amazingly shot, and just a work of art.  Prepare for memorable performances from Matthew Macfayden and Jude Law.  And as for Keira Knightly, the star of the show….”and the Oscar goes to…”

This deserves your time to go and see it.  It is an experience the likes of which we rarely see in the cinema.  This was a total win in my book, but again, take caution, THIS IS AN ARTHOUSE FILM, and is not at all the image most people had in their minds as they read the novel.  This film is a creation of its own.  To be appreciated, it must be seen almost independently from its source material.  If you can do that, then please, prepare for something new.




By Bryan Kluger

Former husky model, real-life Comic Book Guy, genre-bending screenwriter, nude filmmaker, hairy podcaster, pro-wrestling idiot-savant, who has a penchant for solving Rubik's Cubes and rolling candy cigarettes on unreleased bootlegs of Frank Zappa records.

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