The Blood In The Snow Canadian Film Festival Promises Fun and Blood!

ByBryan Kluger

Nov 7, 2017 bits, blood in the snow film festival, canadian film festivals, horror film festival

If you find yourself in Canada, specifically in Toronto, you’re gonna want to check out the a horror film festival called ‘BITS’ or Blood In The Snow. This is the 6th year of the festival and looks to bring the horror and holidays to one place. Below is a list of all the films that will be shown. I’m looking forward to this, because what’s better than blood and Christmas trees?

Official Release: The BLOOD IN THE SNOW CANADIAN FILM FESTIVAL (“BITS”) returns for a sixth year of thrills, chills, and bloody Canuck carnage. With ten programs over four days, BITS 2017 promises to be the biggest and baddest celebration of Canadian horror, genre and underground film ever seen.

BITS is proud to announce this year’s lineup, which kicks off with the world premiere of the vampire apocalypse film RED SPRING, the directorial debut from Toronto’s own Jeff Sinasac. The slate spans all ends of Canadian genre from the sci-fi martial arts flick KILL ORDER by James Mark, to the haunted route down BUCKOUT ROAD, from Matthew Currie Holmes, and the doc-style whodunit, FAKE BLOOD directed by Rob Grant. And BITS always feels more complete with a good holiday slasher like ONCE UPON A TIME AT CHRISTMAS, directed by Paul Tanter.

The fan favourite BITS SHORT FILM SHOWCASE is back in prime time with shorts from BITS veterans including Gigi Saul Guerrero (BESTIA) and Tyler A. Williams (BEHIND THE CURTAIN), as well as new comers like G-hey Kim (DON’T CLICK) and Alyx Melone (TALKING HEADS).

The fest closes with the much anticipated return of award winning director, Audrey Cummings, with the Canadian premiere of DARKEN, featuring Christine Horne (Hyena Road) and Ari Millen (Orphan Black), and starring Natasha Negovanlis (Carmilla).

BITS 2017 continues its popular workshop series, featuring panels with some of the biggest names in Canadian genre filmmaking. Topics this year include Horror in Virtual Reality, the Shorts-to-Features workshop, and the Kickass Women of Canadian Horror. The panels take place at The Monarch Tavern, which is also the new home of the infamous BITS AT THE BAR after-parties.

Festival passes and individual tickets are on sale now at www.universe.com/bitsff

For full lineup and schedule of events, check out http://www.bloodinthesnow.ca

2017 FULL FILM LINEUP

THURSDAY, NOV 23

9:30pm OPENING FILM

RED SPRING (Dir. Jeff Sinasac) WORLD PREMIERE

The world has ended, taking humanity with it. With vampires numbering in the millions, humans have become an endangered species. It’s against this backdrop that we meet Ray – a loving husband and father searching for his wife and daughter. Joined by a group of survivors dealing with their own grief and anger, his search takes them through Ontario until they meet another who offers a chance at life and respite from their vampiric predators. But how can safe harbour be found when danger stalks them at every turn?

7:00pm

KILL ORDER (Dir. James Mark) CANADIAN PREMIERE

When David, a troubled high school student who appears to suffer from mental illness, finds himself in a situation where he is about to be taken captive for reasons unknown, a dark power takes over his body opening the doors to a world of superhuman abilities and a past kept secret.

Screening with the short film MARAUDER (Dir. Brendon Rathbone) TORONTO PREMIERE

9:30pm

BUCKOUT ROAD (Dir. Matthew Currie Holmes)

Buckout Road might be known as the most haunted road in New York State, but nobody really believed it… until now. A college class project on modern mythology turns deadly when a trio of students discovers a series of horrific urban legends surrounding Buckout Road may actually be true. The deeper they dig into the road’s dark, mysterious history, the more dangerous their quest becomes. From witches burning at the stake, to backwoods albino killers, to a modern, unstoppable stalker, writer/director and horror-film aficionado Matthew Currie Holmes leaves no genre unexploited in his loving throwback to late-80’s midnight movies.

Screening with the short film SCRAPS(Dir. Christopher Giroux ) TORONTO PREMIERE

SATURDAY, NOV 25

2:00pm

BLOOD CHILD (Dir. Jennifer Phillips) WORLD PREMIERE

Blood Child a supernatural horror thriller based on a true story. A young woman, Ashley DiAngelo suffers a devastating miscarriage. In a desperate attempt to get over the agony of losing her child, Ashley resorts to the South East Asian black magic practice of raising her own “ghost child”. She seeks the help of her Indonesian maid, Siti, and tasks her to find a “bomoh” (witch doctor) who is able to trap the soul of unborn children. However, what Ashley does not realize is that there are terms and conditions attached to raising a ghost child. When Ashley finds herself pregnant again, a series of terrifying events begin to unfold in the DiAngelo home. The family soon learns that the ghost child is not about to play second fiddle to the impending new addition to the family and unleashes an unspeakable evil upon the family.

Screening with the short films LE LOUP (The Wolf) (Dir. Carl Tremblay) TORONTO PREMIERE
and CRUX: BLACK SOL EMPIRE (Dir. Steve Choptiany) WORLD PREMIERE

4:30pm

FAKE BLOOD (Dir. Rob Grant) TORONTO PREMIERE

Two filmmakers receive a disturbing fan video inspired by one of their horror films; motivating them to investigate their responsibility portraying violent cinema and introducing them to the real world of violent criminals and their victims.

Screening with the short films ALICE, ALONE (Dir. Sean Cammack) WORLD PREMIERE
and JASON (Dir. Greg Kovacs) TORONTO PREMIERE

7:00pm BITS SHORT FILM SHOWCASE

A special feature length program of premieres of the hottest new Canadian short genre films.

FUN (Dir. Greg Kovacs) TORONTO PREMIERE

Anna and Ellery discover different interpretations of the word “fun”.

EVEN THE DARKNESS HAS ARMS (Dir. Chris Bavota) TORONTO PREMIERE

In the middle of the night, a man is haunted by the manifestation of his fears.

LETTERS (Dir. Michael Goyert) CANADIAN PREMIERE

Phil and Gerty play their usual Sunday afternoon game of “Letters”. But today is different. Something dark boils below the surface of the game, setting off a series of unexpected events, forever changing their marriage.

THE ONE I ADORE (Dir. Jason Seelmann) WORLD PREMIERE

A story of love lost and the lengths some can go to get it back.

ITCH (Dir. Sean Patrick Kelly) WORLD PREMIERE

A man with an uncontrollable Itch on his hand goes through increasingly extreme measures to get rid of it.

DON’T CLICK (Dir. G-hey Kim) TORONTO PREMIERE

A young man watches a snuff film sent to his email. When the film stops half way through, he has the option to continue. To find out what happens next, all he has to do is click.

BEHIND THE CURTAIN (Dir. Tyler A. Williams) CANADIAN PREMIERE

Sensing a strange presence, Lauren awakes to a seemingly empty home. Upon investigation, she soon realizes that there is something much darker at play.

TIMEBOX (Dir. Daelan Wood) TORONTO PREMIERE

A couple of backwoods hicks discover a time machine in the woods. Rather than use it to do something smart, like bet on sports or game the stock market, they use it to hunt each other. Repeatedly.

THE HAG (Dir. Julian Zakrzewski) TORONTO PREMIERE

It seems like an ordinary night when Emily turns out the lights in her apartment, little does she know that her night would become a living nightmare.

BESTIA (Dir. Gigi Saul Guerrero) CANADIAN PREMIERE

BESTIA follows the lone survivor (played by Mathias Retamal) of a disaster as he awakens on a deserted beach. It becomes clear that there are more dangers lurking in the woods than a hungry beast.

I MAKE CORPSES (Dir. Kyle Martellacci) TORONTO PREMIERE

A serial killer continues his macabre hobby during a zombie outbreak.

CONSUME (Dirs. Michael Peterson) TORONTO PREMIERE

Inspired by true events, residential school survivor Jacob Wematim (Julian Black Antelope), struggles to hang onto his family, land and identity as his personal demons threaten to manifest in the form of the Wendigo spirit (Wilma Pelly) and take it all away.

9:30pm

THE CHILD REMAINS (Dir. Michael Melski) TORONTO PREMIERE

An expectant couple’s intimate weekend turns to terror when they discover their secluded country inn is a haunted maternity home where unwanted infants and mothers were murdered. Inspired by the true story of the infamous ‘Butterbox Babies’, THE CHILD REMAINS is a twisting supernatural thriller that emphasizes story and suspense over shock and gore. From the producer of the acclaimed horror thriller The Corridor, starring Cannes Best Actress winner Suzanne Clement (Mommy), Allan Hawco (Frontier), Shelley Thompson (Labyrinth) and genre hero Geza Kovacs (Scanners, The Dead Zone), THE CHILD REMAINS is about the evil that lurks behind the postcard.

Screening with the short film DESTRUCTION MAKES THE WORLD BURN BRIGHTER (Dir. Kalen Artinian) WORLD PREMIERE

SUNDAY NOV 26

2:00pm

ONCE UPON A TIME AT CHRISTMAS (Dir. Paul Tanter ) NORTH AMERICAN PREMIERE

In the twelve days leading up to Christmas, the residents of the snowy and isolated town of Woodridge are being murdered in a variety of gruesome ways by a psychotic Santa and Mrs. Claus. While the small-town cops scramble to protect the townsfolk, the killings seem to center around one young woman who may be the final victim on Santa’s list. As the slaughter continues and the bodies pile up, it seems that nothing and no one may be able to stop the murderers before they complete their own deadly take on the twelve days of Christmas.

Screening with the short film HUMAN CATTLE (Dir. Carlos Henriques) TORONTO PREMIERE

4:30pm

ART OF OBSESSION (Dir. Ryan M. Andrews) CANADIAN PREMIERE

After losing his family in a car accident and seeing his latest work bomb, famous novelist, Kennedy Sait, becomes a recluse and turns to drugs and alcohol to numb the pain he feels. Struggling to make it through day-to-day, Kennedy’s life is turned around after meeting his neighbour’s new wife, Patricia. Infatuated with her, she becomes his “muse” and she not only inspires him to create again, but she also inspires him to live again. But his infatuation with her becomes a dangerous obsession. To ensure he doesn’t lose Patricia, he kidnaps her and keeps her prisoner in his attic. Police comb the neighbourhood, hoping to find a trace of the missing woman, never knowing that she is right under their noses the whole time. Patricia tries keeping a level head and is always looking for a way to escape, though she fears she may never break free of her capture as Kennedy’s grasp on reality continues on a frightening downward spiral.

Screening with the short film TALKING HEADS (Dir. Alyx Melone) WORLD PREMIERE

7:00pm CLOSING NIGHT FILM

DARKEN (Dir. Audrey Cummings) CANADIAN PREMIERE

DARKEN is set in a bizarre, mysterious, and violent unknown world with danger and death around every corner. After a young woman is accosted by a dying warrior in the middle of the street, a bizarre incantation propels her into the realm of Darken – a violent prison-like world of labyrinthine rooms, interconnected with no apparent rhyme or reason and no way of escape. As she fights for survival within this brutal place, she finds allies who are rebelling against the rule of a self-appointed religious despot who demands allegiance to an all-powerful god called “Mother Darken.” Eve and her allies must fight with everything they have if they are to have any hope of surviving the horrors Darken has in store for them.

Screening with the short film BANSHEE (Dir. Adam O’Brien) TORONTO PREMIERE
Followed by “The Bloodies” Awards

By Bryan Kluger

Former husky model, real-life Comic Book Guy, genre-bending screenwriter, nude filmmaker, hairy podcaster, pro-wrestling idiot-savant, who has a penchant for solving Rubik's Cubes and rolling candy cigarettes on unreleased bootlegs of Frank Zappa records.

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